I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. Hey, maybe the greater the flux density, the more my chances are of going back in time? Since modern power cords include a ground prong, a ground switch on an amp is no longer necessary. 2018 underlines our continued commitment to product development and innovation with the launch of FANE Imperium a formidable addition to our professional range of products to stand alongside the Colossus Series, delivering outstanding efficiency to provide a definitive performance advantage and another legendary FANE product for the future. For most people who will never be turning the volume up past 1 or 2 in the home, you would be much better off getting a smaller Fender amp with a single 12" speaker. The paper indentification labels, usually printed in black/brown/red color, were placed on one spoke. I went down to Hi-Watt in Kingston (in 1974) and saw Dave Reeves and bought two 100 watt heads which are still in Dave's rack today. The Eminence Tonker and Tonkerlite speakers were rumored to be Crescendo clones. Those Celestion 75s were either Rola Celestion G12/75, introduced in the 1970s, or the later G12T-75 version made in England in the 1980s - 1990s. There was a 1980s era Crescendos labeled "12E" with black coated frames and push tags, in both 120w four spoke frames and 180w eight spoke frames. One is the Hi-Tone Eclipse 4x12 speaker cabinet. Eminence The Governor Redcoat Series 12 inch 75-watt Replacement Guitar Speaker - 8 Ohm. The Alembic was essentially two of those pre-amps in one rack housing. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. from FANE specifically, came with Arthur Falkus' development, presentation and use of the glass fibre voice coil. Starfinder speaker with Green Russian Big Muff - On the Turning Away solo, Starfinder speaker with Green Russian Big Muff - In any Tongue solo - no modulation, Starfinder speaker with Green Russian Big Muff - In any Tongue solo with modulation, Starfinder speaker with EHX Ram's Head Big Muff - Mother solo, Starfinder speaker with Green Russian Big Muff - Money solo, Starfinder speaker with B.K. Hauptinhalt anzeigen. (top row) 1980s Crescendo 12 'E' and 15 'E' PA speakers and cones Those were used with his Hiwatts, and I presume the third was a spare. I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. Each Fane Acoustics guitar loudspeaker driver is individually hand crafted in the UK by a team of highly skilled craftspeople. EUR 559,00 + EUR 150,00 Versand . Established in England, 1958. They sound harsh for the first few weeks when new, as is the case with most new speakers. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. I never tried the standard Tonker, but I tried the Tonkerlite, which was supposed to be the closer of the two. https://www.rawsonsparfieldloudspeakers.com/speakers, http://www.kitrae.net/music/David_Gilmour_Amplifiers_and_Speakers_2.html#Speakers, Legendary Guitarist changing for PRS guitar. Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. The later 59 Bassman LTDs from 2000 onward changed to Jensen P10R speakers with kapton voice coils, which sounded similar, and could handle high volume much better. The same cast metal Fane frame used for the Crescendo was also used for other speakers with various wattages, magnet sizes, speaker cone types, and voice coils. It was still fitted with Jensen P10R speakers. I don't think one is any better than the other, it's just a matter of personal taste. The Eminence were slightly brighter and slightly dirtier at high volume. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. The Showman was basically the head version of the Fender Twin Reverb, for use with and external speaker cabinet. Depending on the speakers used, these cabs typically weigh in at 50-68 kg/110-150 lbs range! The PRIME 18XS represents just one of the many new product developments over the past decade of FANE audio engineering, each model carefully considered and engineered to provide an audio advantage for the OEM, excelling and not just performing in the target application. In 1977 the circuit changed significantly to a very different sound, then came the Twin Reverb IIs in the 1980s and Red Knob Twins. The Ascension A30, 30 watt guitar speaker, has been voiced to offer more crunch for classic vintage guitar tones. Select one or more of the filters below to view products meeting your criteria. -David Gilmour, Guitar Player, Nov 1984. By bringing FANE closer to key growth regions, FANE has been able to develop market share in the great emerging world economies. Cabinets typically come wired for 8ohm or 16ohm impedances. Tony474 thanks for keeping it basic! I wonder if people will like the non-aged Crescendo the same? Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. Keep in mind that this is just one Crescendo, and not all Crescendos will sound identical. That said, I use both at home, but I do not have close neighbors who would complain. Speaking of Pre-rola Greenbacks. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Thanks to HITUBE Amps & Fx Fane Crescendo 12A 1970s 100w Vintage Guitar Speakers pair Used - Fair $722.88 + $60.24 Shipping It looks like that piece of gear is gone. That said, I use both at home, but I do not have close neighbors who would complain. David used them on the front end of his Yamaha RA-200 rotary speaker cabinets for Pink Floyd's 1977 tour and 1980-81 performances of The Wall, and in his barn and Hove studios. I use a set from 1995 and the mid-scooped tone is almost the opposite of the Crescendo, but paired with a Hiwatt it has a very Gilmour-like sound. Butler Tube Driver - Take A Breath solo, Fane Crescendo Type A speaker - clean tone with compressor - Coming Back to Life solo, Fane Crescendo Type A speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II. The 12 A was the type often used by Gilmour. It also works for David's 2006 tour tones, heard on Remember That Night and Live in Gdansk. Closed-back cabinets sound more focused and project the sound in one direction. Specifications, general parameters, Thiele-Small parameters, box volume, reviews, manufacturer recommendations. This speaker I have restored from very poor condition. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. The 15" Crescendos were also sometimes labeled "100A". I have both and prefer the sound of the blue frame Alnicos. The old Marshall JTM45 is also nearly an exact copy of the Bassman circuit, but substitues a 12AY7 preamp tube with a 12AX7 tube for more gain, which makes it a bit too dirty for most Gilmour tones. David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. He had WEM 4x12 cabinets with Fane Crescendo speakers in, identical to the ones he uses now" - Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. FANE continues to dynamically engage with a continually changing global audio industry, evolving to the demands of the present time while being faithful to our original maxims of being at the forefront of audio design and engineering and innovative in our approach to predicting future market trends and requirements. It is not clear if David has always used type A Crescendos with silver dust caps, but they can be seen in several of his WEM cab photos from 1973 and 1974, so he has probably always used this speaker. I have seen many examples of Fanes with those brand labels on the exact same cast metal frame as the Crescendo, but they were not Crescendos. The Showman was basically the silverface Twin Reverb in a 100w head form. They brought out much more detail in the top end, but some found the sound too harsh. The normal channel on the 59 Bassman sounds very similar to the Twin Reverb/Showman when playing clean, but at high volume the Bassman sounds more compressed and breaks into overdrive. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. Quick View. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. There were also several different Fane Crescendo models with various speaker frame designs and labels. Fane Crescendo 100 watt '70s -Type A-Speakers (pair) Michael Landau Owned and Played. Shamara Fane Student at Barstow Community College Whittier, California, United States Why not contact them (, Too late now to edit my earlier post, but I've discovered that that link doesn't work. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. For David's 2006 tour he had three WEM Starfinder 4x12" cabs. Fane used Kurt Mueller speaker cones in the beginning, then changed to Pulsonic cones, then back to Kurt Mueller in the early to mid 1970s. A bold new entrant in the arena of high performance Alnico guitar speakers for modern rock and metal sounds. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? These are are sometimes Fane-made Sound City and Hiwatt speakers that use the exact same frame as the Crescendo with fake Crescendo and ID labels applied to them. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. and a Hiwatt Custom 100 through a WEM 4x12 cabinet with Fane Crescendo speakers. Those can be identified by the ink stamped date code on the frame spoke. There are also custom speaker cabinet builders who can build a similar cab (no WEM logo or grille cloth though), like Jeff Swanson of swansoncabinets.com. It's such a beast of a driver even attempts at clones have fallen short. - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. The tone is fatter and more mid-scooped than a Crescendo, with tight highs and a modest low end. Shown above - There were various other versions of Crescendo speakers with different specs, differing 4 and 8 spoke cast metal speakers The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound . Fane was The First speaker manufacturer to have a 12 inch guitar speaker that was 100 watts RMS and 100db. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard. Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. One was loaded with Fane Crescendos and another was loaded with Celestion 75s, according to Analogman. Closed-back cabinets sound more focused and project the sound in one direction. FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. The cabinet was made of plywood covered with plain tweed cloth, not laquered tweed like the originals. Korea, Republic of Ascension A90. Show your support. Suitable for reproducing both American and British type sounds, its perfect for players seeking vintage rock tones in abundance. reflections from the aluminum dust caps from the Fane Crescendo 100w speakers. Electric Guitarists. De H1 chip werd gentroduceerd met de AirPods (2019), en bracht snellere verbindingstijden, een verlaagde vertraging tijdens gamen en de mogelijkheid om Siri aan te roepen met alleen je stem. Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. Little is known about the speakers in David's combo amplifiers, but Phil Taylor revealed in an interview (Feb 2015 Guitarist Magzine) that David also uses Fane Crescendos in his Hiwatt SA212 combo studio amp. You may leave a message for the family by clicking here. I don't think one is any better than the other, it's just a matter of personal taste. showan above - 59 Fender Bassman reissue from 1990 with blue frame alnico speakers made by Eminence. David Gilmour est surtout connu pour son jeu de guitare. That particular Celestion, especially those made in the mid 1990s - adds a thicker mid scooped tone with lots of low end to the bright mid range of the Crescendos to create a much richer and fuller tone. Open back cabs spread the sound more in all directions and can sound looser. The type of 12" Crescendos David Gilmour has used since the early 1970s are type 'A', with the identification code 122326 ink stamped on the cast metal speaker frame. There is typically zero difference in the sound of one impedance over the other, so it does not matter which you choose. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. The stock amp sounds excellent, but y. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. Still have the issue of these speakers sounding a little shrill and lacking in low end to my ears. Shown above - Rola Celestion G12/75 from 1976 and the Celestion G12T-75 from 1984, both made in England, Shown above - Rola Celestion G12-100 from 1982, made in England. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. Shown above - 100w Starfinder with aluminum dust cap from Rawson Sparfield, made in the United kingdom. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. It's a bit brighter and bassier than the 1028P according to Eminence, but not really any better sounding than the stock Jensen speakers already in the Bassman RI. I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's View similar gear Watch Watch this gear and we'll notify you if it becomes available again. Still Own to this Day? HOME Products OVERVIEW 18 Inch Loudspeaker Drivers VIEW NOW 15 Inch Loudspeaker Drivers VIEW NOW 12 Inch Loudspeaker Drivers The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. Visit the Cemetery . If you want the Delicate Sound of Thunder / Pulse era sound through a Hiwatt, pair the Crescendo A with a Celestion G12T-75 speaker in your cabinet. All had aluminum dust caps. It is named the Starfinder, after the name of the WEM Starfinder speaker cabinets that Gilmour is so much associated with, and the company is named after Rawson Sparfield Ltd, the original builder of those Starfinder cabs, although RS is not affiliated with either original company. Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. Foolishly Traded away? Introductions such as NXT flat panel technology did not achieve the desired success and the brand suffered from a lack of focus on the core values upon which it had been so successfully founded and developed between the 1950s and 1980s. Hey! Iconic artists such as Pink Floyd, The Who, The Rolling Stones and many more used equipment loaded with FANE speaker components, making FANE an integral part of the British music scene revered throughout the world. Ted Weber FC12 100w ceramic speakers with aluminum dust covers are described as having the "Classic British Fane Crescendo tone". I bet they're expensive. Please check the fields highlighted in red. Oops, looks like you forgot something. Anyone else needs to contact them, just go to the main website. Infinity Crescendo CS 3006 Vintage Audiophile Speakers Excellent Tested Working $599.00 $120.00 shipping or Best Offer 2 each Infinity Crescendo CS 3007 Speakers. A few years later these were changed to Jensen P10R speakers with kapton voice coils, which held up better to high volume than the paper coils in the Eminence speakers. The PRIME 18XS displayed the hallmarks of FANE ingenuity to deliver an incredible peak-to-peak excursion in excess of 60 mm to ensure fast, accurate bass in the most testing of performance environments and engineered to provide significant advantages over competing European products. David Gilmour's Marshall JCM-800 speaker cab loaded with Celestion speakers and his WEM 4x12 cab loaded with Fane Crescendo 100w speakers, The frames were made of heavy 5ply plywood, not particle board like other 4x12 cabs of the era. Would the Starfinder sound good in a small combo? Both amps are alwasy on, which allows him to have a blend of both types of speaker tones. For a better experience, please enable JavaScript in your browser before proceeding. Specification Bass Resonance 70 hz Frequency Response 30hz to 16,000hz 2 inch voice coil 100 watts rms 20,000 gauss Motherfuzzer 1973 and 1974 tours. The Crescendos have a distinct bright tone that accents the upper mid range. The ink stamps on the cones of my speakers are marked 1021/15, but I have seen other Crescendo cones with completely different numbers. Note the silver dust cap of the Fane Crescendo speaker visible through the grille cloth on the right. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). The Ascension F25 is a low wattage, 25 watt, ceramic magnet, guitar speaker with an emphasis on crunch and mid-range presence. Don't miss out on these ! NOTE: This website is frequently updated. 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